LG Display has unveiled an eye-wateringly bright OLED display that's specially designed for VR headsets – a 10,000-nit OLEDoS (OLED on silicon) panel that could help to bring Meta headsets more in line with the Apple Vision Pro’s visual superiority.
For context, the Meta Quest 3’s displays offer a mere 100 nits, while Apple’s Vision Pro’s OLEDoS panels are rated to achieve 5,000 nits – though there’s no official word on whether they ever get that bright.
LG’s 10,000-nit screens would blow all of these out of the water, though they’d only be half as bright as the 20,000-nit prototype Meta headset I’ve tested in the past (appropriately called Starburst). The advantage is that these super-bright headsets can deliver much more life-like HDR – meaning darker spaces seem darker, while bright objects truly glow like you’d expect them to in the real world.
It’s worth noting that while LG’s new VR OLED can achieve 10,000 nits, it may not ever get that bright or be that bright frequently. Running at 10,000 nits constantly would likely cause a lot of heat and drain your headset’s battery. Considering it would be so close to your eyes, I’d also be concerned it might cause damage. When I tested Starburst, the highest 20,000-nit setting did slightly sting and most of the scenes demoed in this setting were dark with just a few exceptionally bright columns.
Beyond being über bright, this LG display has an ultra-high 4,000 pixel per inch resolution. That's over triple the Quest 3's 1,218 pixel per inch resolution, and LG still beats out the Vision Pro's 3,386 pixels per inch (via iFixit).
Is LG going to take over XR?
There’s no word yet on when or even if LG's OLEDoS panel will appear in an actual VR headset that you or I could buy, but if it does feature in a product, we expect it’ll be in Meta hardware first. That’s because LG and Meta have officially teamed up to work on XR technology (a catchall for VR, AR, and MR), and I’m convinced this means LG is making the displays for the next Meta Quest Pro.
However, there is a small chance LG’s VR plans could be more selfish.
That’s because since LG and Meta announced their collaboration, Meta has revealed that its Horizon OS is coming to third-party VR headsets – beginning with Xbox Lenovo, and Asus. LG isn’t on this list but it too may have its own VR headset in the works that would put its OLEDoS panel to use, rather than appearing in an official Meta Quest.
We'll have to wait and see what's announced, but whichever VR headset gets this new LG OLEDoS panel it's almost certainly going to be one of the best VR headsets out there.
Pimax has unveiled two new VR headsets with the top of the line Pimax Crystal Super seemingly set to put the best VR headsets to shame – even the Apple Vision Pro – with some phenomenal specs. It also has one of most unique display features we’ve ever seen: you can swap between an OLED and QLED display engine to get the most out of your virtual experience.
Are you playing a frightening horror adventure that has you exploring dark spaces filled with monsters? Then an OLED screen’s excellent dark contrast will be just what you need. If you’re instead kicking back with a vibrant VR social app then you could swap in the QLED screen to be dazzled by the colors it can produce.
No matter which screen type you choose, the Pimax Crystal Super will deliver 29.5 million pixels across its dual, 3,840 x 3,840 pixels per eye displays, each with 200 nits of brightness. The QLED display system has a max refresh rate of 120Hz and uses glass aspheric lenses, while the OLED one has a 90Hz max refresh rate and uses less bulky pancake lenses.
You’ll also find neat features like eye-tracking, dynamic foveated rendering, and inside-out tracking – so there’s no need for lighthouses.
As you'd expect, this swappable display design doesn’t come cheap. If you want a Pimax Crystal Super with both the OLED and QLED display engines you’ll be paying $ 2,399 (around £1,925 / AU$ 3,700) for the headset. Alternatively if you’d rather get just one type of display the QLED model will set you back $ 1,799 (around £1,450 / AU$ 2,800 ) while the OLED version costs $ 1,999 (around £1,600 / AU$ 3,100).
No precise release date has been given yet but Pimax estimates the Crystal super will launch in Q4 2024 (so October, November or December).
If this is all still too much to pay for a VR headset – especially one that requires you to have a similarly high-end PC gaming rig so you can get the most out of your headset’s capabilities – or you want a headset that’ll arrive sooner, you could instead opt for the Crystal Light.
The crystal light boasts less sharp displays – boasting just 2,880 x 2,880 pixels per eye – though its QLED screen can get up to 120Hz. However, it uses aspheric lenses so will be bulkier than headsets using pancake lenses, and it lacks eye-tracking, and dynamic foveated rendering capabilities.
The upshot is it’s a heck of a lot cheaper starting at just $ 699 (around £550 / AU$ 1,100) and it should launch in May according to Pimax.
As impressive as these news Pimax headsets sound, I'm disappointed that they’re locked into the PCVR ecosystem, and aren’t at least adopting Pimax’s own wireless tech.
Analysis: Several steps forward, several steps back
A big issue with PCVR headsets are the cables that tether you to a PC – or a console in the case of PSVR 2 – that limit your movement, and that you can catch yourself on as your flail about in virtual reality.
However, as we’ve seen from the displays in Pimax’s headset, the advantage of PCVR is you can enjoy a super high level of graphics and performance that outshines standalone devices – like the Meta Quest 3 and even Apple Vision Pro (provided you have a great PC, that is).
This is where a wireless module can come in like the Pimax Crystal 60G Airlink device as they allow you to enjoy PCVR without being tethered. We’ve known that this device has been coming for a while – it was demoed at CES 2024 already – but we finally know exactly what the Crystal 60G can do with official specs straight from Pimax.
Specifically it boasts wireless PCVR with a 2,880 x 2,880 pixel resolution per eye, 90Hz max refresh rate, and “ultra low latency” – though exactly what this means hasn’t been revealed.
Unfortunately, neither of Pimax’s new headsets – the Crystal Super or Crystal Light – will support the 60G Airlink module.
What’s more, they strip out the batteries and Qualcomm Snapdragon XR2 chipset that the base Pimax Crystal headset included, which allowed it to support both wireless PCVR and a standalone VR experience.
To this end, you might find the base Crystal model is the better option for you – or a non-Pimax model like a Quest 3 or Apple Vision Pro – thanks to the versatility offered by a standalone headset. Not only are you freer to use the headset wherever you want but also, with the exception of the Vision Pro, you can very easily use these headsets for wireless VR and for wired PCVR – giving you the best of both worlds.
This versatility is one of the reasons why Quest headsets have been topping the Steam VR usage charts for years.
Considering how impressive Pimax’s machines are I’d love for it to have kept pushing into the world of standalone VR. Improving its software catalogue or partnering with a company with a great VR OS to jumpstart its app store – ideally the amazing Quest ecosystem, though are others out there from the likes of HTC – would also have been great.
I’ll have to try the latest Pimax headset out for myself before giving my final verdict, but as it stands I don’t think these are VR gadgets I can see most people using – nor do I think most people should use them. Which is a real shame because otherwise I feel Pimax’s machines could be a slam dunk on pricey competitors like the Vision Pro – for now, though, I feel relative newcomer Apple has Pimax’s Crystal Super beat, on paper.
Meta and LG confirm collaboration on “extended reality (XR) ventures”
This could mean a future Meta Quest Pro 2 uses an LG display
Announcement also hints at team-up for “content/service capabilities”
Following months of speculation and rumors – the most recent of which came literally days ahead of an official announcement – Meta and LG have confirmed that they’ll be collaborating on next-gen XR hardware (with XR standing for 'extended reality' and being a catchall for VR, MR and AR). And I couldn’t be more excited to see what their Apple Vision Pro rival looks like.
While they didn’t expressly outline what the collaboration entails, or what hardware they’ll be working on together, it seems all but guaranteed that Meta’s next VR headset – likely the Meta Quest Pro 2, but maybe the Meta Quest 4 or other future models – will use LG’s display tech for its screens. This means Meta might finally release another OLED Quest headset which promises some superb visuals for our favorite VR software.
Unfortunately, there’s also no mention of a timescale so we don’t know when the first LG and Meta headset will be released. But several recent rumors have suggested that the next Quest headset (probably the Pro 2) will launch in 2025; so we could see LG tech in Meta hardware next year if we’re lucky.
We should always take rumors with a pinch of salt, but these same leaks teased the LG collaboration – so there’s a good chance that they’re on the money for the release date, too.
Beyond the potential for OLED Quest headsets, what’s particularly interesting is a line in the press release that mentions the desire for the companies to bring together “Meta’s platform with [LG’s] content/service capabilities.” To me, that hints at more than simply working together on hardware, but also bringing the LG TV software experience to your Meta headset as well.
More than just an OLED screen
Exactly what this means is yet to be seen, but it could result in a whole host of TV apps reimagined for VR. For Meta, this could importantly mean finally getting VR apps for the best streaming services including Disney Plus, Paramount Plus and Apple TV Plus – as well working apps for Netflix, Prime Video and other services that have Quest software that is practically non-functioning.
These kinds of streaming apps are the one massive software area in which Meta has no answer to the Apple Vision Pro.
I’ve previously asked Meta if it had plans to bring more streaming services to Quest and a representative told me it had “no additional information to share at this time.” I hoped this meant it had some kind of reveal on the way in the near future, and it appears this LG announcement has answered my calls.
That said, while the press release certainly teases some interesting collaborations, until we actually see something in action there’s no telling what form Meta and LG’s partnership will take because the announcement is (no doubt intentionally) a little vague.
There’s also a chance the LG-powered TV apps won’t offer the same 3D movie selection or immersive environments found on Vision Pro. Depending on how the apps are implemented, 3D video might not be possible – or perhaps Apple has an exclusive deal for content with these apps on its Vision Pro platform.
Regardless I’m pretty excited by the potential this announcement brings as it appears to answer two of my four biggest Meta Quest Pro 2 feature requests. Here’s hoping the other two features follow suit. If they do (and the device isn’t astronomically pricey) the Meta Quest Pro 2 could be my new favorite VR headset by a landslide.
OLED could provide visual boost next Quest Pros need
The Apple Vision Pro might be the talk of the town in the high-end VR space right now, but not only will it have to contend with rivals like the Samsung XR headset that are expected to launch later this year, new reports claim the Meta Quest Pro 2 will launch in early 2025 to compete with it too.
The original Meta Quest Pro was something of a disappointment. At the time it seemed like a decent option for people looking for a high-end standalone VR headset – especially compared to rivals like the HTC Vive XR Elite. But since the launch of the Meta Quest 3 and Vision Pro – the former of which is not only cheaper but actually has some better specs in the mixed-reality department – it’s fallen by the wayside.
Meta is clearly hoping to make its next Quest Pro device a standout VR gadget. A Korea Economic Daily report (translated from Korean) cites unnamed industry sources who said Meta CEO Mark Zuckerberg is set to meet with the CEO of LG Electronics to discuss a partnership for its next Pro devices.
While we hope these high-end screens will make their way to the more budget-friendly Quest line it’s more reasonable to assume that a pricier Quest Pro line would be upgraded to LG OLEDs first.
Yes, we know the original Oculus Quest got there first, but since then Meta has relied on LCD panels with better brightness and resolution because the original OLED Quest couldn’t benefit from this display tech’s full advantages. The pixels took too long to turn on and off so you could never experience true blacks, despite the ability to achieve true blacks being the main reason to use an OLED.
Thankfully, the recent Korea Economic Daily report said we might not be waiting too long. The Meta Quest Pro 2 is apparently being prepared for an early 2025 launch, and while this is a slight departure from Meta’s usual October release strategy it makes some sense.
However, as with all rumors, we must remember to take these reports with a pinch of salt. Until Meta or LG make an official announcement there's no guarantee they’re working together on the next Quest Pro or any kind of headset – nor a guarantee of when it’ll launch and what specs it might have.
As soon as we do hear anything more concrete, or we spy any interesting leaks and rumors, we’ll be sure to keep you informed.
There’s a new pair of AR smart glasses on the scene, in the form of the TCL Nxtwear S Plus specs – a follow-up to the TCL Nxtwear S, which we reviewed in the middle of last year – priced at $ 399 / £399 / AU$ 699.
Much like their predecessors, these glasses can be connected to a compatible device like a phone or console – either by a USB-C Display Port, or by using adaptors that you’ll have to pay extra for – so you can enjoy your favorite show, game, film, or app on a large virtual screen.
For 2D visuals, the OLED displays offer Full-HD resolution (1920 x 1080 pixels) on a display that’s the equivalent screen size of a 215-inch screen placed six meters from your face. For 3D pictures you’ll get a resolution of 3840 x 1080 pixels
In terms of improvements that warrant the Plus title, these TCL specs do have a few important upgrades over the originals.
First, they now boast 600 nits of brightness, 200 more nits than the 400-nit TCL Nxtwear S, and 100 more than the 500-nit Xreal Air 2 Pro specs. This should lead to more vivid colors and better contrast in the displayed picture.
The dual displays also now have a max refresh rate of 120Hz rather than just 60Hz which should make the visuals appear much more smooth than before. We kind of wish they went up to 4K, but this is a resolution other smart specs also have yet to achieve at this price point – so our disappointment isn’t exclusive to the TCL Nxtwear S Plus.
Lastly, the new TCL Nxtwear S Plus smart glasses weigh a whole 2g less than their already lightweight predecessors, coming in at 87g instead of 89g. Based on our tests, smart glasses that weigh this little don’t feel noticeably heavier than wearing a pair of regular specs.
Some things to watch out for
We haven’t tested the TCL Nxtwear S Plus glasses yet, so our advice would be to try them, or read a few reviews, before you buy them because of two main factors: heat and adapters.
When testing the original TCL Nxtwear S smart specs we found that the bridge got uncomfortably hot within about 20 minutes. Other smart glasses like the Xreal Air 2 Pro and original Xreal Air glasses get around this issue by having the front end of the arm get warm instead – so the hot component isn’t touching your face – so it’s possible that these new TCL Nxtwear glasses won’t have the same issue as the old version.
If the bridge still does get quite warm then you might not be able to enjoy the TCL glasses to their fullest.
Adapters are also an issue for a lot of smart glasses. While they can interface with a good number of devices, you’ll need quite a few not-so-optional-add-ons to get the best experience.
These include special cables that allow you to hook them up to more devices, and adapters that have their own internal battery, so you don’t drain the connected device’s battery as quickly. Picking up all of these extras can add to the cost, which is always a shame when you’re already spending $ 399 / £399 / AU$ 699 on the device itself.
Noise leakage can also be a problem for smart glasses with their open-ear speakers, though the TCL Nxtwear S Plus glasses have a Whisper Mode that promises to keep noise leakage from their 0.5mm stereo speakers to a minimum . We've yet to use any smart glasses that don’t have a problem with audio escaping to the people around you, even if they have their own version of Whisper Mode, but hopefully the TCL Nxtwear S Plus specs will convince us that smart glasses don’t have to be noisy.
There are plenty of good-looking OLED TVs around these days, and few look better than those put out by LG. The South Korean TV maker has put an immense amount of thought into its premium OLED range, nowhere more so than with the LG E Series OLED – even if it was sadly discontinued this year.
2019’s LG E9 OLED was a masterclass in panel design, offering a glass display that banished the bezel and almost appeared to be floating up from the counter – offering a truly breathtaking visual experience. More than anything else, it looked different from any other TV put out that year.
The E9 didn’t quite make the cut for 2020, though, with the new Gallery Series GX model replacing the E Series line instead. While it presumably made business sense for LG to cut the E Series – which doesn’t seem to have received nearly the amount of media attention as the cheaper (and equivalently specced) C9 OLED, or the more affordable B9 OLED at the bottom of LG’s 2019 OLED range – it’s a loss nonetheless.
We were disappointed not to see an EX model unveiled at CES 2020 along with the other new LG TVs being shown off, and were told simply that the E Series was no longer being pursued.
Neil Robinson, Senior Director for Strategic Projects at LG Electronics, tells us that “The E and G Series were both step-up models, so the GX can be seen as the replacement for the E9.”
Given how close the LG GX and LG WX are in terms of design – both being slim, wall-mounted televisions, with only really a soundbar to differentiate the latter – the removal of an E Series is a move away from variety, even if the GX will be sure to find an audience of its own.
It’s a shame, given the truly unique aesthetic of the E Series compared to other LG TVs. The new BX and CX models look essentially the same as each other, too, like most televisions these days. How much can you iterate on a flatscreen, after all?
Why we loved the E Series OLED
Certainly, there are plenty of subtle differences between the physical appearances of TVs, whether that’s where the TV brand’s logo sits, what kinds of feet or stands prop it up off a counter, or the thickness and quality of the display’s casing. That’s not to mention the differences in picture quality – which is really the heart of any television experience.
But that’s why the E Series felt so refreshing: offering a unique form factor amid a ceaseless catalogue of identikit rectangles. Most of LG's OLED range shares the same panel and processor, anyway, so differences in design feel even more important
In our LG E9 OLED review last year, we praised the set’s “all-glass, frameless panel” for its “open and expansive air”, as well as “a dazzling picture, with crisp detail and truly cinematic visuals”. Aside from minor irritations – the lack of HDR10+, and a patchy Bluetooth connection – the E9 was and is a knockout television to watch.
The year before? We called the E8 OLED “arguably the ultimate expression of these OLED advances, thanks to its glamorous design, niftily integrated sound system and, best of all, mesmerizingly good pictures.”
Other LG TVs have similarly intriguing design choices – including the TV stand for the C9 OLED, which is slanted to funnel audio towards the viewer – but it’s frustrating to see successful examples of this not pursued further, limited to just one or two model generations.
So where did the E Series go?
Our senior home entertainment editor, Nick Pino, speculates that “the reason not to make one this year isn’t based on any pre-existing issues [with the E Series design], but rather that LG decided it couldn’t innovate enough to warrant a new model.”
It’s possible that LG backed itself into a corner with the glass panel design. The TV market demands iteration, and the unique design constraints of a glass display may have meant there was less room to alter or improve its shape going forward compared to other designs (the GX really feels like an iteration on the W Series, rather than a standalone model).
OLED panels are also infamous for often getting damaged during production – given their sensitive, organic materials – and we can’t imagine an all-glass display offsetting worries about breakages either.
The LG E9 OLED is still on sale for those wanting something different – costing roughly half what it did at launch this time last year – and we recommend you take a look if you aren’t sold on the new Gallery Series GX OLED, which offers the only notable divergence from LG’s existing models. Processing enhancements are likely to be minimal compared to the 2020 range too.
What’s new with Philips TVs in 2020? We’re only a short while into the year, but all the major TV brands have already started to showcase the latest sets to join their TV ranges – and while Philips didn’t make many announcements at CES 2020, the cat’s now out of the bag.
Yes, there are a number of new Philips TVs coming this year, from OLED beauties to more pedestrian (but still likely impressive) LCD sets. Philips is a company with great options, whether you’re buying on a budget or for the fanciest centerpiece television you can afford, and the sets announced so far look set to continue that tradition.
You can find every new Philips TV announced for 2020 below, with a rundown of the specs, processing and format support to expect from this year’s TV range. Make sure to check back every few weeks, though, as we’ll be adding new televisions as they’re formally unveiled.
Philips OLED 805 / 855 (available in 55, 65 inches): This pair of OLED TVs may differ in design – only the TV stand, really – but they should both offer the same level of high-end excellence. Philips’ OLED sets are largely spectacular, thanks in no small part to the three-sided Ambilight projection built in their frames – and this year’s cohort promises greater AI processing too.
These aren’t quite the flagship sets in the range, as the Philips 984+ (which launched in late 2019) is still the top dog for now. Expect Dolby Atmos audio and 50W speakers, though – with a release sometime in May. (Pricing not announced.)
Philips 9435 4K HDR LED (available in 55, 65 inches): Even as we drop down to LCD panels, this 4K HDR television still packs in a 50W 2.1.2 channel audio system – from Bowers & Wilkins – with upwards-firing drivers to make the most of Dolby Atmos content. Same Ambilight features as above. (Pricing / availability not announced.)
Philips 9235 4K HDR LED (available in 43 inches): 40W 2.1 channel speakers should still give this smaller 4K set something to shout about – while three-sided Ambilight should help too. (Pricing / availability not announced.)
Philips 8505 4K HDR LED (available in 43, 50, 58, 65, 70 inches): This Philips set is at the tail end of the premium range, or the top end of the mid-range, depending on your perspective. You’ll get the same three-sided Ambilight and P5 picture processor as the sets above, with a smaller 20W audio output from built-in speakers (no soundbar here.) The stand design varies between panel sizes, but you should get the same picture quality from the 43-inch to 70-inch model.
Philips TV 2020 technology
What marks out Philips TVs from the rest? The most eye-catching feature would certainly be Philips Ambilight: a projection technology that throws onscreen colors onto the wall behind your television, upping the ambience (hence the name) and making for a light-show you won’t get with Sony or Samsung TVs.
It has a good reputation for sound, too – though not through Philips own audio arm. The company collaborates with audio specialists Bowers & Wilkins for its high-end televisions, fitting them with dedicated Dolby Atmos soundbars to really hear those movie soundtracks or cheering crowds at their best.
Like most other TV brands today, Philips offers a range of LCD and OLED sets, with the latter panels saved for its more premium offerings.
Only quite premium sets have been announced so far, with every set listed above featuring the P5 Perfect Picture Processor, now in its fourth iteration. Last year’s chip was certainly impressive, but it looks like there’ll be an even bigger jump this year with the addition of AI processing / neural networks able to analyze millions of video clips and learn how to best display the content sent its way, fine-tuning the “source, color, contrast, motion and sharpness” for each frame.
A press release for Philips claims that, “By analyzing all elements of the content, frame by frame, the 4th Gen P5 reproduces a much more realistic, natural image that no longer feels like TV but creates images that closely mirror real life.”
Like Panasonic, Philips is agnostic towards HDR formats, and makes sure to support both the dynamic Dolby Vision and HDR10+ standards (unlike Samsung, which sticks only with the latter). You’ll also get the HLG (hybrid log gamma) broadcasting format, though these formats drop off when you get down to more affordable mid- or low-end sets.
Philips uses the Android smart TV platform across its TV range, with 2020 models getting the latest Android Pie (9.0) version. It’s the most common TV platform and the most unremarkable – though Android’s stability issues have generally improved over the past couple of years, thanks to updates from Google.
Perhaps most importantly though – depending on your priorities – we now know that every new Philips set this year will come with Disney Plus at launch, meaning you won’t have to wait around for a firmware update later in the year to bring the app to your television.
Philips 2019 4K OLED TVs
Of course, there are still plenty of Philips TVs released in 2019 you can still find on the market:
Philips OLED+984 Ambilight TV (available in 65 inches): The top-of-the-range TV for Philips in 2019, we loved the OLED+984 Ambilight TV when we reviewed it earlier this year. It's the ultimate high-end lifestyle 4K OLED. It does exactly what a flagship TV should, setting a high bar for image quality, audio and design, without significant compromises. It comes in just one size: 65-inches and costs £4499 / approx $ 5908 (about AU$ 8633).
Philips OLED+903 (available in 55, 65 inches): When we reviewed the OLED+ 903 earlier this year, we loved that it delivered punchy HDR pictures. Which at the time was better than any OLED TV we’d tested so far. The 55-inch model costs £2,499 / approx $ 3282 (about AU$ 4795). and the 65-inch model is £3,499 / approx $ 4596 (about AU$ 6713)..
Philips OLED 854 and OLED 804 (available in 55 and 65 inches): We're looking forward to spending more time with these screens. Identical apart from stand differences (the 854 centrally mounted, the other with a pair of legs) these 4K screens will be available in 55 and 65-inch sizes.
They’re very similar to last year’s Philips OLED+ 903, except with one key omission – they lack the impressive Bowers and Wilkins sound system, opting for a Philips-own build instead.
Running Android TV, working with Alexa and Google Assistant and with all four of their HDMI ports HDR-ready, these Ambilight screens will be ones to watch for those looking top-notch OLED visuals.
Though OLED TVs have become Philips’ showstoppers, the majority of its range still consists of LCD TVs. Though LCD can lack the richness of a well-tuned OLED TV, they shouldn’t be sniffed at in their own right – Philips has done some stellar work not only in the picture stakes, but also with audio, thanks to a partnership with Bowers and Wilkins.
Philips 8804/PUS 8804 (available in 50, 55 and 65 inches): One of the most promising LCD screens we’ve seen in a while. It’s 4K visuals are available in 50, 55 and 65-inch sizes, and will have the full house of HDR10+, HLG and Dolby Vision support, as well as Dolby Atmos sound. It’s also the only screen revealed so far this year from Philips to include that show-stopping Bowers and Wilkins sound system again.
Philips 9104/PUS9100 (available in 55-inches): If style is more important than sound quality, check out this TV. It’s another 4K LCD panel, but has been designed in conjunction with design house Georg Jensen, and has striking chrome finish aluminum feet. It too has standard HDR support covered but drops HDR10+ and Dolby Vision, only features Dolby Atmos audio passthrough, and will only come in a single 55-inch screen size. It has a three sided Ambilight though, so this may be one to check out for its aesthetic value.
Philips 7304 Performance Series/PUS7304 (available in 43, to, 55, 58, 65 and 70-inches): This is the TV Philips is pushing most heavily for this half of the year, which is nicknamed ‘The One’. Why? Because it’s ‘the one’ TV they think will suit most people, ticking lots spec boxes will aiming to come in at a mid-range price point.
The Ambilight 4K LCD screen will come in a range of size – 43, 55, 58, 65 and 70-inches – has the full suite of HDR options and features Dolby Atmos. For more information, check out our Philips The One first look impressions.
Philips 7504/PUS7504 (available in 50 and 55-inches): This TVlooks set to be a similar screen, coming in 50 and 55-inch screen sizes, trading a less striking stand for beefier 25W 2.1 built in speakers. The One only has two-channel 20W speakers.
From here down the range of LCD Philips TVs, you lose access to the top-notch P5 image processing engine, instead being left with the Pixel Precise Ultra HD processing engine. They also run the SAPHI operating system, rather than the more versatile Android TV.
Philips 6814/PUS6814 (available in 43, 50, 55 and 65-inches), Philips 6704/PUS6704 (available in 43, 50, 55, 65 and 70 inches), Philips 6504/PUS6504 (available in 43, 50, 58 and 65 inches): The key differences here? The 6814 has a T-Bar centrally-mounted light finish stand with 3-sided Ambilight, while the 6704 has Ambilight, a dark frame finish and two feet supporting it. The 6504 looks pretty much the same as the 6704, but doesn’t have any Ambilight features.
Philips 2019 HD TVs
It says a lot about the dominance of 4K TV now that, not only is there only a single non-4K TV in Philips range this year, but it’s not even 1080p – just a 24-inch HD-ready 1366×768 screen.
Philips 4304: has no smart features, no HDR, and only two HDMI port ports. This is very much one for the kitchen, or a “my first TV” for the kids’ bedrooms.